Sunday, May 1, 2011

The Last of His Kind


Alright, so this excerpt deserves a little commentary. I actually wrote this excerpt as an entry for a contest up at Weber State for the Verbal Equinox. I initially wasn't going to enter the contest, because I had nothing to write about. But as I rode home on the bus one day, this kid that I had in one of my classes gets on the bus and all of the sudden, as I'm nonchalantly just looking at him, I get struck by this great idea of a boy on a bus, that somehow is special. It was a neat process for me to take this idea and run with it. I ended up recording writing the beginning of this excerpt just watching, as in the manuscript, his expressions cross his face, and eventually, over the course of the week, it blossomed into this. Sadly, I did not win anything in the contest, but this is the first excerpt I have managed to finish. Maybe sometime in the future it will develop into a full blown book, but for now, enjoy this excerpt:

The boy sits across the aisle two rows up from me, breathing heavily, emotions flowing across his features.

First, a type of preoccupation, then suddenly, worry lines fold his white forehead and his grey eyes seem to glass over as sad and disconcerting thoughts flash through his mind. A small, fleeting smile turns the corners of his pale lips and is gone, replaced by a bitten lip and a fretful expression as whatever worrisome thought returned. I wonder who he is, and why he seems so distressed.

He is dressed in a loose, long sleeved hooded shirt with light and dark grey stripes. His skin is so pale it gives me cause to wonder about his health. He has short, slightly messy, dark brown hair paired with arching eyebrows that push his forehead to worry; his stormy eyes hold a burden that is too heavy to bear. He sits with his skinny arms wrapped loosely, but possessively around the top of the beaten backpack resting on his lap.

I had been watching him ever since he boarded my bus at 31st Street where he made quite an entrance.
I first noticed him after we stopped on the street before, tearing out from an alley between two apartment complexes further down the road with a frightened look in his eyes. Upon seeing the bus ahead of him, he sped up waving his arms and yelling to catch the driver’s attention, all the while looking doggedly behind him as though he was being pursued.

Unfortunately, the bus driver is a little deaf, so the boy was forced to chase us all the way down to 31st before I stood up and alerted the poor man to the fact he was being flagged down. It didn’t take long for the boy to catch up. The moment the doors hissed open, the boy jumped on the bus, screaming at the driver to hurry and shut the doors. He rushed to a window  and looked out as if searching for something. Only when the driver closed the doors and pulled back out into traffic did he relax, sliding with relief into a seat closest to the front. 

Eventually, our eyes meet. A strange, wide-eyed look comes over his face, but is immediately wiped clean. Quickly he turns, dragging a set of earphones and an iPod out of the pack. Jamming the ear buds in his ears, he flips up the hood of his shirt as though he suspected I heard his thoughts. Startled by his reaction, I look away feeling as though I had been listening in on something personal. After a moment, I turn my gaze sheepishly back over the seats in front of me to the boy. 

His lanky body is now stretched out across the aisle of the bus and he gazes miserably at the ceiling. Who is this strange boy? What is his story? Where is he going? Why was he running? What is this worry that creases his perfect features? Is it the same reason he was running? As these questions begin to bloom in my mind, he turns his eyes out the windshield, reaching a long-fingered arm up to pull the yellow wire signaling for the bus driver to stop. I know I only have a minute, if not seconds, to figure out who this boy is.

I rise from my seat and began to make my way toward the boy. Immediately, the boy’s attention snaps in my direction, and he stiffens, tensed up like a mouse coiled to run at any sign of danger.
 
I sit down in the seat beside him. “This isn’t saved, for someone, is it?” I inquire casually. His eyes look up at me warily. “No, no. Go ahead.” He mumbles.

“So are you from around here?” I ask nonchalantly. The boy looks highly uncomfortable, but doesn’t say anything.

I crane my head to see the tiny blue speck of the stop grow larger. I make a spilt second decision.

“You get off here, too?” I ask him, standing. He closes his eyes, obviously wishing me to go away, to disappear. 
 
“I guess so.” The bus lurches to a stop and the moment the doors hiss open he’s outside walking quickly down the sidewalk. I sling my pack onto my back, thank the bus driver, and jog to catch up to the boy. “So where are you headed off to?” I inquire, hitching my load higher onto my shoulders. His body tenses up suspiciously, clearly indicating that he would prefer not to be followed or to be asked questions. I keep pace with him, looking at him expectantly. His face has become hard and guarded, as to keep me from prying into his secret thoughts. His pace quickens, and I adjust accordingly.

“No, really where are you headed off to in such hurry? And what’s your name anyway?” I continue to search his unsearchable features. His grey eyes, no longer soft looking, are trained solidly ahead. Again, his pace quickens. Annoyed, I cut in front of him, hoping to impede his momentum, but with no success. Without so much as blinking his stormy eyes, he turns off the sidewalk and into the surrounding trees to the left. Not about to be deterred, I follow him.

Swiftly, I catch up and cut in front of him a second time. He turns to walk around me in a different direction, but I grab his sleeve, preventing him from getting any further away from me. “Alright, listen kid. There is something about you, something strange about you that I cannot explain. This moment our lives have crossed has really left me wondering about you, and I intend to find out why you are so different from everyone else. You may as well answer me straight.”

This caused the boy to stop, mainly due to my grip on his sleeve. “I can’t tell you anything.” He shakes my hand off his arm and continues walking, very cold, very closed. I am determined not to give in to the temptation to just walk away.

I catch pace with him, this time standing exactly in his way. “What’s your name? Who are you? Where are you going?” I demand again. He stops short, his face working as he tries to control his emotions. I notice the sky has suddenly become darker and rainclouds are beginning to collect. This was strange, seeing as the day had started out almost ethereal.

“Looks like it’s going to rain. Do us both a favor and answer my questions before that storm hits.”  His eyes widen in panic, and we both look up to the forming black mass. Immediately, his head drops to his chest, and I can see him heaving deep measured breaths. His long fingers clench into fists, and for a moment, it is as though the air shifts because a slight shimmer appears all around him, like heat rising off of sun-baked asphalt. The air seems to get heavier. The sensation passes quickly and the aura around the boy dissipates, leaving me to believe it a figment of my imagination. 

Slowly, he lifts his head, his eyes clenched tightly shut. “Listen girlie,” he says through clenched teeth “I am in danger. You don’t want to get to know me. I can’t let you know me. Everyone  close to me gets hurt. I don’t know what you think you are on to, but trying to ‘figure me out’ and discover what makes me so ‘special’ could cost you your life. I can promise you my ‘special-ness’ isn’t worth that steep of price. It’s certainly one I am not willing to pay.”

There is a moment’s pause. I can’t tell if he is joking or is actually serious. His features are set in stone, his eyebrows drawn together in a scowl so deep, it darkens his countenance. And, for the first time, I am afraid.
I open my mouth to tell him to cut the melodrama but the words die abruptly in my throat when suddenly he is there, inches from me with his hand pressed tightly against my mouth, almost suffocating me. I begin to struggle a little, but he holds me firmly and whispers in my ear, “Don’t move” with such fierce and fearful urgency that I freeze.  

The trees are eerily silent. Nothing moves. I strain my ears, trying to detect whatever it is the boy heard, but all I can hear is the sound of my pounding heart. 

After what seems to be like an eternity, he drops his grip on me. “You have to go. You are in serious danger. Forget you even saw me. Forget we ever talked.” He gives me a rough but insistent shove back towards the way we came. He sees my hesitation. “If you don’t leave now girl, they will find you too! I can hold them off! Just run and don’t look back! The moment they catch sight of you, they’ll be after you too! You have to go!” 

“What? What are you talking about? Who is ‘they’? And why are ‘they’ after you?” I demand, trying not to allow the fear I feel in the pit of my stomach grow. “You aren’t going to get rid of me that easily.” 

The boy turns, deaf to my protests, and takes a defensive position directly in front of me. He spreads his long legs as though bracing for a huge impact, the air around him shimmering as though he is charged with electricity. Thunder growls faintly in the distance…and so does something else.

It was a faint, low, warning growl of something very large and very close, hidden in the trees. 

Silently, a set of large, luminous eyes appear in the dark of the trees ahead, and a massive wolf materializes with wickedly sharp teeth bared. Its fur is thick and matted, as though woven out of the colors of darkness. 

My stomach drops sickeningly. The boy’s body goes rigid as he stares directly into its furious blood red eyes.

The wolf opens its black maw, rending the air with an unearthly scream! As though triggered by an explosion, the trees directly in front of us are ripped outwards! The force blows me backward, ripping the pack off my back, flinging it in a direction I cannot see. I find myself buried under broken twigs, leaves and heavy branches. For a moment, I am disoriented, and I can’t tell which way is up or where I am. I lay there stunned for almost a moment, my ears ringing, before I managed to come back to my senses. I claw my way to the top of the rubble.

The scene that stands before me is unbelievable. The tall trees that once stood only feet before us were ripped to shreds, downed and shattered, broken as though some terrible monster had rampaged through. The boy is nowhere in sight. 

It is then I come to a horrible, sinking awareness that I am completely exposed, and the wolf’s scarlet eyes are now fixated on me.

Moving faster than any wolf in existence, it bounds straight for me, flashing the longest set of pure white fangs I have ever seen, dripping with a viscous, acidic substance that chars and burns the ground beneath it.
Panic sets inside my chest as I try and tug myself from underneath the rubble, only to find my foot trapped beneath a heavy branch. I tug and twist desperately, and at the last second, it jerks free, sending me sprawling backwards. Scrambling up, I throw myself to one side in the nick of time; I hear the plate-sized paws of the wolf pulverize the debris where I was stuck only seconds ago.

I gather my feet beneath me, well aware I escaped dismemberment by a mere few inches, and discover my ankle will not support my weight. I collapse to the ground as an excruciating pain shoots up my leg. I hear the wolf’s deathly growl behind me. I will not be able to escape it a second time. I look back, instantly regretting it. The moment my eyes connect with the wolf’s, it bears its teeth menacingly and lunges forward to gore me with knife-like claws. Out of nowhere there is a loud crack of thunder and a bolt of lightning, slashing the air in two, explodes the base of a nearby tree, felling it directly into the monster’s path.

I lay there stunned, blinking painful, flashing lines from my vision. My head clears just in time to see the silhouette of the boy explode out of the rubble a distance away, and throw a glowing blue ball of crackling energy at the disoriented beast.

The beast gives a piercing yelp as the ball hits, causing its whole body to convulse as if electrocuted. It staggers drunkenly to its feet, shakes its head and turns angrily toward the boy. 

“Come on you ugly beast! It’s me you want!” he yells, “Come and get me!”

I feel very dizzy, unable to get over the initial shock of the proximity to death I had come, not only by the wolf, but the by the sheer luck I was not hit by that falling tree! The thing perplexing me the most was the accuracy of the lightning strike that felled the tree. It was not a serendipitous event. There was no way it could have been an accident. It had to have been controlled somehow….

I snap back to reality as abruptly, the wind picks up exponentially. Charcoal clouds sizzling and writhing with liquid electricity spin over the two opponents, now engaged in lethal and almost fantastical combat!
The boy ripples as if super charged, illuminating periodically in the increasing darkness caused by the thick, black clouds. He sends shots of vibrant, deadly lightning at the wolf as it advances rapidly toward him. My stomach drops as the wolf takes a flying leap straight for the boy, claws primed and positioned for the kill! The boy’s face registers the monster flying towards him. Diving to one side, he shoots a bluish-orange charge from his palms directly into the wolf’s exposed underbelly!

I hear a small noise and something huge slams into my chest from behind, knocking the wind out of me, pinning me painfully to the ground! I hear and feel a series of sharp snaps as my ribs break! I find myself face to snout with another deadly wolf, almost identical to the first. It roars hungrily, lips drawn back for the kill, and I know I am about to die.

Time slows as I look desperately toward the battle between the first wolf and the strange boy. I register an entire pack of death-wolves springing out from the trees to the center of the destruction. The clouds above surge, then combust into an inferno of blinding, raw, natural power! The battle is lit up brighter than noon-day, etching everything into a surreal photograph before the bolt itself strikes the scene with such power and magnificence, the world begins to crumble into nothingness.

The great beast pinning me gives off an inhumane scream that seems to echo through what is left of my consciousness even though I know its cry was inevitably lost in the cacophony of the strike. I feel the pressure of its paw lift only enough, and I know it is undeniably dead.

I lay there in the pervasive darkness as the rumbles and crackles of the bolt fade. Pain pulses through every vein, artery and thread of my existence. Amazingly, yet agonizingly, I breathe. I survived the end of the world.
Slowly, as if an angel were descending, the suffocating black shroud opens, and a single beam of light rests on a figure on the ground, which stands, taking on the glowing appearance of a god. Then the moment is gone with the light, overtaken by the mild grey clouds that now pervade the skies. I watch as slowly, meticulously, the boy who saved my life begins to pick through the remains of the battle looking for something, calling for someone. Ever so slightly, it begins to rain.

I close my eyes, feeling the wonderful rain fall on my face like tears from the sky, enjoying the fact that I am still alive. I hardly hear the boy’s footsteps come closer and closer until abruptly, they stop cold.

“Oh no…’ he breathes. I hear him fall to the ground. Immediately, it begins to rain harder, as though the skies had empathy for the boy and his loss.

Suddenly, it hits me. My eyes jolt open and I find the boy slumped on his knees, tears streaming down his face.

Images flash through my mind: the lightning strikes, the rainclouds, the lightning balls, the wind, the rain, all in accordance with the boy: his actions and his feelings.

An atrocious pain shoots through my head, causing me to moan involuntarily.

Instantly, he’s there, wiping away stormy tears, a note of panic is in his voice as he speaks: “Oh my gosh! Are you alright? Please say you are alright…”

I am unable to answer. I know who he is. I know what makes him so special.

He is a Weather Mage; the last of his kind.

Monday, April 18, 2011

Twilight: The Leader of a New Feminist Movement

By: Aisley Oliphant

In October 2005, stay-at-home mother Stephenie Meyer released her premiere novel, Twilight: the first of what was to become one of the hugest sensations the world has ever seen. It set the imaginations of women everywhere on fire with dreams of romance and desire and led to the birth of a feminine fan base completely obsessed with werewolves, vampires, and forbidden romances. These Twihards, so to speak, of all ages, persuasions and marital statuses drive the success of each of the movies and books as they were released, camping out in front of book stores, cinemas, throwing all night parties to celebrate the new releases to the Twilight saga. The results of such culture initiated the beginning of a new feminist movement, one completely backward to the modern feminist movements found in history, revealing the female desire for male over dominance and sensual, pleasure-seeking ideals of modern day women.
            The Twilight Saga sets a standard for how relationships between men and women should be defined. Erica Jong, in her work What do Women Want?: bread roses, sex power, states that “Men must be stripped of arrogance and women must become independent for any mutually nurturing alliance to endure between the sexes” (Jong 54). From the beginning of the first book, Bella Swan finds herself unable to stand on her own and function independently. The moment Edward and Bella begin dating, Bella finds herself severely dependent on Edward; she is unable to go anywhere by herself, unable to sleep without him there (Meyer 311), she even is unable to drive herself places. It becomes clear through the series that the relationship between Edward and Bella is severely codependent, leaving women who read these novels believing that the only way to have a good relationship is if the male is predominant, controlling and obsessive.
            The symbol of Edward simply reinforces this through his inherent superiority in phallic strength and sensuality. Virginia Wolf said:

“Since in Darwinian terms…survival of the fittest means the triumph of the most aggressive human beings, men are and always will be superior to women in terms of their ability to protect and extend their own authority. Therefore women, being ‘weaker’ (less aggressive), will always be at the mercy of men” (Dworkin 60).
Edward consistently exercises masculine control over Bella in all aspects of her life. He is able to make her faint upon command through seduction (Meyer 319), and on many occasions forced safety precautions upon her without her permission, asserting that she is “incredibly breakable” (Meyer 310).
            The endorsement of codependency through the relationship of these two characters hinders the feminist movement toward female independency. Codependency oppresses women, causing them to become severely depressed and dysfunctional. “In our culture women are especially trained to be codependent” (Smith), and perpetual underlings to their male counterparts.
            The archetypal figure that Bella presents to women is of the ultimate damsel in distress.  Bella is in consistent need of being rescued, considered brainless with nothing but her good looks going for her, “distrusting [her] capabilities and sending out the message, ‘I do not know how to take care of myself’” (Pearson 31).  She inevitably finds herself unconscious and/or wounded in the arms of Edward or even the werewolf Jacob. Any action she takes in the heat of battle is impulsive, stupid, and fruitless and puts her into even more danger than she was in the beginning. Bella tells women through her example, that the only way to have a satisfying relationship is through being consistently rescued. This archetype prevents women from furthering their potential into becoming something more than what they already are. “Women need to learn to struggle, to fight for themselves and others” (Pearson 86) to break free of the damsel in distress archetype and discover their self-worth, and find a new definition of themselves.  
            In concordance with being the damsel in distress, Bella represents the desire to be desired. The main conflict in the Twilight saga is defined by the competition between Jacob and Edward for Bella’s affections (Meyer 556). Many women with low self-esteem tend to wish to be the object of desire, and look for any way to attain that status. Bella is presented as stupid, impulsive and needy, thereby asserting that in order to become the object of desire, one needs to also be stupid, impulsive and needy. This once again reinforces the ideology that men should be the dominant force in a relationship, because it gives them the power to manipulate and control women. This presents a problem to the progress of women through, because it prevents, as stated in the above paragraph, the furthering of character, and the ability for the woman to achieve her goals and a sense of independence that is necessary to break the damsel in distress archetype.
            On the other hand, Bella is also presented as a hero, because of her abilities to control Edward and Jacob through her sexuality. Numerous times, she is able to manipulate Edward and/or Jacob into giving into her way because of their deep feelings for her. She is able to convince the werewolves and the vampires to work together to eliminate one of her opponents, and thereby showing women that it is okay to use sexuality to get ones way, as long as it is for the greater good. But the definition of a hero does not come from one’s singularity, but from the teamwork with “everyone involved [having] [their] say and everyone’s thoughts and feelings…respected” (Ross 232). Bella’s manipulation brings to light the idea that men are easily controlled merely by sex, and by manipulating them just so, makes the woman a hero.
            Bella takes a backward step into traditional feminism through her inability to assert herself, and function independently. The relationship between Edward and Bella is extremely one sided, and does not allow for growth on either end. In Arguing with the Phallus: feminist, queer and postcolonial theory, a psychoanalytic contribution, Jan Campbell asserts that “The first phase, stressing equality or sameness between men and women, is characterized by Simone de Beauvoir’s exhortation to women to find their true humanity and free themselves from the bonds of traditional feminism”(Campbell 98). The main goal for modern feminism is to “[define], [establish] and [defend] equal political, economic, and social rights and equal opportunities for women” (“Wikipedia”), and also develop a new sense of oneself that will empower the woman to become independent and accomplish things they would not otherwise be able to do under the oppression of the male figure. It is only through this independence that women find the ability to stand as an equal partner in society.
 Additionally, the female population is faced with the problem of breaking free of the stereotypical relationship, with the women carrying around a “petty, stiff, primitive man” and the men “an ambivalent, sensual, somewhat inferiority-afflicted woman” (von Franz 159).  Women are presented with examples through Bella and Edward of the restrictive traditional feminism in an appealing fashion that entices women to accept and even settle for less than what they deserve. Through the breaking of this mold, women assert themselves in an acceptable fashion, and prevent an overbearance of the male symbol.
            Not only does the craze over Twilight reveal the underlying desires of women to be subjected to overbearing male patriarchy, control and manipulation, it reveals a sensual and pleasure-seeking side of women that is considered “liberating”. The Twihard movement of modern day society can be likened to the “flapper” movement of the 1920’s:

“Nearly half of all young women engaged in premarital intercourse, a proportion that would not change until the 1960’s, while many others eagerly ‘explored the borderlands.’ Not inhibition, but ‘sex starvation’ dominated the complaints of these insatiable innovators. Having achieved widespread recognition, female desire now threatened to engulf the nation… Magazine tabloids and Hollywood motion pictures, for example, played it up. The advertisement for Flaming Youth, a highly successful Hollywood film, guaranteed titillation from ‘neckers, petters, white kisses, red kisses, pleasure-mad daughters and sensation-craving mothers’” (Buhle 91).        
While these Twihard fans may not be physically promiscuous, their desires and addiction to the books bring out a whole new level of satisfaction of said “sex starvation”.
           For women, gaining sexual satisfaction is risky business. When a woman lives by the saying “I take whatever I want, and baby, I want you”, it is considered “socially unacceptable” (Pearson 31). While the flappers in the 1920’s gained their satisfaction through promiscuity, the Twihards reach for a more subtle satisfaction. They reach for their Twilight books. While a men’s arousal comes from touch and images, a woman’s arousal comes from emotional attachment and feelings. By reading these books, women receive the same feelings (to a point) that men would get from having sex, thereby satisfying their thirst for sexual satisfaction.
            The modern society does not, in fact, encourage fidelity to one person. Modern day pop culture emphasizes having more than one partner, or even avoiding marriage altogether. Twihards fall prey easily to this notion because of their desire to have an “Edward” or a “Jacob”. The encouragement of “pleasure-mad daughters and sensation-craving mothers” drives infidelity home. In essence, members of the Twihard persuasion that are married, and are completely obsessed with Jacob or Edward (or both even) are not remaining entirely devoted to their husbands. By reading these books, it allows women to practice a sort of infidelity to their husbands if they are not satisfied with his sexual performance, or even with their own. It empowers women with the opportunity to seek after what they want, and the ability to get it.
            With the release of the Twilight movie in November 2008, the craze only deepened. Hollywood motion pictures did indeed “play up” the movie, designing it specifically for those sex-starved individuals that made up the majority of the Twihard population. Completely geared toward women, it placed a face, to the much desired Edward Cullen (Robert Patterson) and Jacob Black (Taylor Lautner), thereby igniting a new level of fanaticism to the starvation. Not only can women now embark on a sensual journey through the imagination, but also visually.
            One of the most widely valued ideals of society is self-image, the way that one looks to others in the community, world, etc. Upon the addition to human faces to the highly coveted vampire and werewolf boyfriends, greater importance was placed on being seen as attractive, and being with someone attractive. With the release of Twilight, the psychosis of appearances brought to light that if one has an attractive boyfriend, they have earned the right to the high life in society. It is through this that women are encouraged to look solely at how much money someone has, or how good looking they are, rather than focusing on the personality, and long lasting qualities of a person. More emphasis is placed on finding “trophy” husbands and/or wives along with lust and desire rather than a truly compatible companion who possesses an undying and true love for their partner.
            Since the initial release in October 2005, the Twilight saga has exploded into an all-out feminist movement that rippled across the United States, influencing an enormous pool of people. The creation of the Twihard culture revealed the female desire for male dominance in romantic relationships, and also the undying thirst for sexual satisfaction. It is almost inconceivable that a simple stay-at-home mother could possibly begin a movement has drastically changed the face of feminism as found in the history books. The examples found in Edward and Bella’s relationship have greatly influenced the way that relationships function and are viewed in modern society, and even have initiated a “sexual liberation” of the woman in ways that no one could have predicted.
               
               

Works Cited:
Buhle, Mari Jo. Feminism and Its Discontents: a century of struggle with psychoanalysis. Cambridge, MA: Harvard University Press, 1998. 432. Print.
Campbell, Jan. Arguing with the Phallus: feminist, queer and postcolonial theory, a psychoanalytic contribution. London, UK: Zed Books Ltd, 2000. 248. Print.
Dworkin, Andrea. "BIOLOGICAL SUPERIORITY: the world's most dangerous and deadly idea." Feminism and Sexuality: A Gender and Culture Reader. New York: Columbia University Press, 1996. Print.
"Feminism." Wikipedia. N.p., April 13, 2011. Web. 17 Apr 2011. <http://en.wikipedia.org/wiki/Feminism>.
Hall, Donald E. Literary and Cultural Theory. New York: Houghton Mifflin Company, 2001. 331. Print.
Jong, Erica. What do Women Want?: bread, roses, sex power. 1st ed. New York: HarperCollinsPublishers, 1998. 202. Print.
Meyer, Stephenie. New Moon. New York: Little, Brown and Company, 2006. 563. Print.
Meyer, Stephenie. Twilight. New York: Little, Brown and Company, 2005. 498. Print.
Meyer, Stephenie. "The Story Behind Twilight." The Official Website of Stephenie Meyer. Stephenie Meyer, Web. 4 Apr 2011. <http://www.stepheniemeyer.com/twilight.html>.
Pearson, Carol S. Six Archetypes We Live By: The Hero Within. Expanded. New York: HarperSanFransisco, 1989. 210. Print.
Ross, Sharon. ""Tough Enough": Female Friendship and Heriosm in Xena and Buffy." Action Chicks: New Images of Tough Women in Popular Culture. Paulgrave Macmillan, 2004. Print.
Smith, Mark. "Codependency – A Serious Disease of Lost, Confused, Undeveloped and Other-Centered Selves." Family Tree Counseling Associates: Individual and Marital Therapy n. pag. Web. 17 Apr 2011. <http://www.familytreecounseling.com/fullarticle.php?aID=278>.
von Franz, Marie-Louise. The Archetypal Dimensions of the Psyche. Boston, MA: Shambhala Publications, 1997. 405. Print.

Monday, April 11, 2011

Dear Love,

You are different than any I’ve ever met.
Why is it when I am near you, everything feels alright?
Why do you hurt so deep when you are unbearable?
Why are you unpredictable?
Why do I find you in the silliest of places?
You cause accidents which aren’t meant to happen, and yet they are.
Why do you bring the height of joy, yet the depths agony all in The Moment?
How can you keep me grounded in reality, yet soaring high in the tallest cloud?
Why does your blade cut the deepest?
Is it because you are The Protector and The Slayer?
Are you as gentle as you seem?
No.
A Protector; a Slayer; Tormentor; Companion.
How can you be all this and be so simple, though simple you are not?
Your Map of Lines and Triangles only set to confuse and hinder.

Why do you speak in two voices from head to heart and heart to head?
Do you seek to mislead?
Do you seek to reveal?
You are so simple, yet infinitely complex.
You can’t be explained with less than a sentence, but easily described within your own name.
You make my chest swell, and set my heart free!
Your fantasies are hardly reality, yet remain real to me.
How can you cause one Soul to care for Another so much they forget themselves?
But how can you drive others to mistake and Insanity?
It is not your nature to make a fool of mankind?
You defy the voice of reason, and speak volumes of far-fetching dreams!
Why must you confuse?
Why are you so frightening in your pure and true form?
Why do you cause grown men to shrink from your arms, though warm and beautiful they be?
How can you be so fleeting, but last for Eternity?
How do you break but mend hearts all in one breath?

Love, you elude me.
You hurt me, but Heal me.
You cloud Sight, but clear Sight.
Why can’t you be simple, and easy to understand?
You bring me happiness beyond my being, and slicing agony I cannot bear.
You give me wings to fly, a voice to sing, and tears to cry,
but you create confusion I wish to dispel.

Oh dearest Love, will you ever give me rest?

January 29, 2011

A Poem I Could Not Title

The trees bent double laughing,
their breath catching in their chests
in a low moan
Their mirth shakes their frames
and happy tears caress their coverings
They dance and sing
the picture of joy
It is they who make the most
in life, allowing cares to drain with rain

The elders look on,
wrinkled and turning mossy grey.
Long beards and stooping limbs
creak their wisdom to those that listen
Slowly swaying and chanting their song,
They whisper tales of epics old
wizen’d old wizards with knowledge untold
Their stories echo in their rutted faces
They reach high in praise of their Creator,
the picture of humble piety

I walk through and past them,
divining all they say.
I listen to their happy laughter
and ponder the wisdom they share
Any others who wander here listen
to pressing silence
They cannot hear the cacophony,
a euphony meant only for me.

May 12, 2009

Finding Happiness

Happiness can be like
finding a needle in a haystack.

It is a daunting task, but
when at first you don't succeed, try, try again.

When searching for happiness it is important not to
count your chickens before they hatch.

It's possible that people may scoff at you, so remember
their bark is worse than their bite,

And they'll soon realize that
when in Rome,to do as the Romans do.

The rat race soon begins, and
he who hesitates is lost.

But once it's realized happiness cannot be found alone, you
divide and conquer

because
there is strength in numbers.

But beware of
a wolf in sheep's clothing.

Because when you think you find happiness,
a bad penny always turns up.

Quickly discard it, for
some things are not what they seem.

By the end, everyone looses hope.
Oh ye of little faith,

never say die.

Because
there is always a silver lining.

When it seems like there is no hope of finding it, we discover
after a storm comes a calm,

And Happiness can be found
as plain as the nose on your face.

May 11, 2009

The Great Lover

These I have loved:
Luminescent plants reveling in the rain, glowing happy green;
The splashy-smeared sunrise oozing across the sky; birdsong;
Silky ivory brushing beneath my outstretched fingers; music melodious;
The rough and round feel of the pages as they slip, flip and flee;
Lilting and rotund tones of intonation over silver tongues; comfort;
The feathery caress; the tang of rain; the salty sting of victory;
Familiarity of places I know best, the sweet and savory sensational smells;
The snuggling wrap of a blanket; the snow’s gentle kiss;
Frozen time when the Earth holds its breath; a blue loon;
Capering colors whirling; a musty book whispering my name;
The lure of exquisite cuisine; hugs;
The fiery exhilaration of speed and finesse coursing through veins;
The streamline whisk of wind through my hair; the living smell of nature;
Free-flowing freedom buoying me higher;
The roaring magnificence and strength of falling water;
Vivacious eyes and bright lightened features; belly-clenching laughter;
Good times with friends; eternal peace.
All these have been my loves.

Modeled after a poem by Rupert Brooke
 4-15-09